Henri Matisse
(French, 1869 - 1954)
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Femme au fauteuil, 1919
Oil on canvas
19 1/4 x 17 1/4 inches (48.9 x 43.8 cm)
Signed lower right: Henri Matisse
© 2016 Succession H. Matisse / Artists Rights Society (ARS), New York

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Portrait de femme, Nice, 1942
Ink on paper
10 1/4 x 7 7/8 inches (26 x 20 cm)
Signed lower left: Henri Matisse
© 2016 Succession H. Matisse / Artists Rights Society (ARS), New York

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Jeune femme accoudée à la blouse Roumaine, 1939
Pencil on paper
16 1/2 x 13 inches (41.8 x 33 cm)
Dated and inscribed lower right: 15/12 Soir
© 2016 Succession H. Matisse / Artists Rights Society (ARS), New York

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Tête de femme, 1952
Pencil on paper
12 3/5 x 9 1/4 in (32 x 23.5 cm)
Signed bottom left: HM
© 2016 Succession H. Matisse / Artists Rights Society (ARS), New York

Artist Biography

 

Painter Henri Matisse (French, 1869–1954) is one of the most prominent 20th century artists, best known as a founding member of the Fauvist movement, and for his modernist innovations in painting, sculpture, and his original cut-out papiers découpés. Matisse was born in Le Cateau-Cambrésis, France, and attended law school in Paris before studying art at the Académie Julian and the Ecole des Beaux-Arts. While first painting in a naturalistic style, he created increasingly experimental works after studying the art of the Impressionists, becoming familiar with Pointillism and other post-Impressionist idioms that dominated artistic discourse at the turn of the century.

Attuned to African and “primitive” art, Matisse began painting using bold colors in broad, flat applications of paint with bold outlines, which developed into his mature Fauvist style in the mid-1900s. He exhibited his work at the Salon des Indépendants and the provocative 1913 Armory Show in New York, and his work was sought after early on by collectors including the famed Gertrude Stein. Between 1914 and 1918 his work became increasingly angular and abstracted, at times displaying abrupt changes from naturalism to abstraction in a single work, executed using muted colors; this change in style was believed to be reflective of his reaction to WWI. From the 1920s on, Matisse divided his time between Paris and southern France, painting works with loose, fluid forms, vibrant patterns, and bright colors, working in set design and sculpture in addition to painting. After two operations in the 1940s, Matisse began to focus on cut paper techniques in collages he called papiers découpés, a method used in his Jazz series, as well as in designs for several chapels. Held in high critical regard during his lifetime, a retrospective of Matisse’s work opened in 1951 at the Museum of Modern Art in New York, traveling all over the United States. In 1952, the Musée Matisse opened in Matisse’s French hometown of Le Cateau-Cambrésis, two years before the artist’s death in 1954.

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